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(Includes audio commentary, featurette, deleted scenes with commentary, storyboards and animatics, and theatrical short film.) The animation sports a nice depth and some lovely compositions, while the script is fast and funny, using such old standbys as a threatened repossession and a murder mystery to juice up the show’s venerable characters – and, no small bonus, give plenty of screen time to the delightfully despicable Fischoedor brothers, as voiced by Kevin Kline and Zach Galifianakis. But there’s also more than a touch of “South Park: Bigger, Longer, and Uncut” here, particularly in the charming and quietly savvy musical numbers (my favorites come early, a summertime set-up song and a number set in “Carneytown”). “The Bob’s Burger’s Movie” : The choice to turn the cult favorite animated comedy into a feature film was undoubtedly influenced by “The Simpsons Movie” (right down to the title), and it works in many of the same ways, expanding the universe of the show while retaining its considerable charm. (Includes audio commentary, new interviews, screen tests, trailer, and an essay by Julian Kimble.) It’s just terrific, and Criterion’s 4K edition is glorious. The dialogue crackles, Franklin’s sense of time and place is palpable, Denzel Washington exudes movie-star charisma, and the supporting players are on fire, particularly Don Cheadle’s now-legendary performance as trigger-happy right-hand man Mouse (“Easy, if you ain’t want him killed, why’d you leave him with me?”). “Devil in a Blue Dress” : One of the gravest injustices of late-20th century cinema was the commercial failure of Carl Franklin’s adaptation of Walter Mosley’s first Easy Rawlins novel – an origin story, basically, of how the Black WWII veteran became a private detective, learning how it’s done and what to do (and what not to do). This week’s new release shelf includes more 4K essentials from The Criterion Collection, a stellar slate of catalogue titles from the likes of Stanley Kubrick, Alan Parker, Barry Sonenfeld, and Michel Gondry, and some genuine obscurities that are worth a shot.
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This twice-monthly column sifts through all of those choices to pluck out the movies most worth your time, no matter how you’re watching. Every Tuesday, discriminating viewers are confronted with a flurry of choices: new releases on disc and on demand, vintage and original movies on any number of streaming platforms, catalogue titles making a splash on Blu-ray or 4K.